A Summer Story, Film (1988)

Director: Piers Haggard

Starring: Imogene Stubbs, James Wilby, Kenneth Colley, Sophie Ward, Susannah York.

Released by: Media Home Entertainment/Heron Communications

Original Language: English

UPC: 08611224853

Set in turn-of-the-century Devon England, in a class-conscious society, a wealthy young man and a young woman of less fortunate means fall in love. Based on the Galsworthy novel "The Apple Tree."

 

       
         
         
         

Full cast and crew for
A Summer Story

Directed by
Piers Haggard    
 
Writing credits (in alphabetical order)
 
John Galsworthy   story The Apple Tree
Penelope Mortimer    

 

Cast (in credits order) verified as complete

James Wilby ... Mr. Ashton
Imogen Stubbs ... Megan David
Susannah York ... Mrs. Narracombe
Kenneth Colley ... Jim (as Ken Colley)
Jerome Flynn ... Joe Narracombe
Lee Billett ... Nick
Oliver Perry ... Rick
Harry Burton ... Garton
Sophie Ward ... Stella Halliday
John Elmes ... Mr. Halliday
Camilla Power ... Sabina Halliday
Juliette Fleming ... Freda Halliday
Sukie Smith ... Betsy
John Savident ... Bank Clerk
Rachel Joyce   Post Office Girl
  ...  
 
Produced by
Danton Rissner ....  
 
Original Music by
Georges Delerue    
 
Cinematography by
Kenneth MacMillan    
 
Film Editing by
Ralph Sheldon    
 
Casting by
Celestia Fox    
 
Production Design by
Leo Austin    
 
Art Direction by
Diane Dancklefsen    
Richard Elton    
 
Costume Design by
Jenny Beavan    
 
Makeup Department
Christine Allsopp .... makeup assistant
Carole Bennett .... assistant hair stylist
Eileen Fletcher .... makeup assistant
Nick Forder .... chief makeup artist (as Nicholas Forder)
Stevie Hall .... chief hair stylist
Connie Reeve .... assistant makeup artist
Stephen Rose .... assistant hair stylist
Tracy Smith .... assistant hair stylist (as Tracey Smith)
 
Production Management
Christabel Albery .... production supervisor
Dennis A. Brown .... executive in charge of production
 
Second Unit Director or Assistant Director
Christopher Hall .... first assistant director
Cordelia Hardy .... third assistant director
Trevor Puckle .... third assistant director
Jane Studd .... second assistant director
 
Art Department
Bob Betis .... painter
Gordon Billings .... dressing prop
Alan Booth .... construction manager
Bob Eames .... stand-by carpenter (as Robert Eames)
Steve Hedinger .... lettering artist
Robert Hill .... stand-by prop
Steve Macdonald .... dressing prop (as Stephen McDonald)
Peter Mann .... carpenter
Maxie McDonald .... property master
Dave Midson .... dressing prop (as David Midson)
Fred Myatt .... chargehand
Mickey Pugh .... stand-by prop
Fred Round .... carpenter
Mike Sotheran .... painter
Graham Tew .... property buyer
John Tregear .... stand-by stagehand
Dave Westcott .... stand-by painter
 
Sound Department
Geoff R. Brown .... assistant music editor
Daniel Farrell .... assistant music editor
Robert Hathaway .... music editor
David Hildyard .... sound recordist
Peter Musgrave .... dubbing editor
Keith Pamplin .... boom operator
John Pitt .... sound maintenance engineer
John Poyner .... dubbing editor
Bill Rowe .... dubbing mixer
Jim Shields .... dubbing editor
 
Camera and Electrical Department
Graham Attwood .... still photographer
Paul Borg .... best boy
Tony Breeze .... focus puller (as Anthony Breeze)
Tony Hester .... gaffer
Keith Hunt .... electrician
Tom Lowen .... stand-by rigger
John Murphy .... electrician
Mick O'Connell .... electrician
Peter Richardson .... electrician
Roy Russell .... camera grip
Jonathon Sykes .... clapper loader
Malcolm Vinson .... camera operator
 
Other crew
Dave Buck .... stagehand
Frank Buisson .... unit driver
Jane Burton .... wardrobe assistant
Joanna Collins .... location manager
Julie Davies .... runner
Kevin De La Noy .... runner
Joe Drinkeld .... transportation
Jill Ernest .... accountant secretary
Robert Fabbri .... runner
Neil Farrell .... assistant editor
Bob Feather .... security officer
Harriet Fenner .... production coordinator
Ben Ford .... horse and carriages
Maria Ford .... horse and carriages
Greg Fulginiti .... music engineer
Linda Glatzel .... unit nurse
Sylvia Grainger .... wardrobe assistant
Tarn Harper .... assistant accountant
John Holmes .... animal handler
Steve Hubbard .... wardrobe assistant
Doreen Landry .... publicist
Susan Leh .... publicity controller
Ben Montanio .... production controller
Angus More Gordon .... runner (as Angus More-Gordon)
Skates Naiman .... coordinator: Los Angeles (as Sandi Naiman)
Tim Neate .... animal handler
Mike Pears .... security officer
William Pierce .... wardrobe assistant
Terry Reece .... unit driver
Peter Robey .... insurer
Janet Tebrooke .... wardrobe mistress
Samantha Thomas .... runner
Sarah Trevis .... casting assistant
Sue Wall .... production accountant
Joan Washington .... dialogue coach
Fleur Whitlock .... runner
Sidney Wilson .... stagehand
Annie Wotton .... script supervisor
Kimi Zabihyan .... contact: London
Richard Schoen .... set costumer (uncredited)


Additional Details
A Summer Story
 
Runtime: 95 min
Country: UK
Language: English
Colour: Colour
Sound Mix: Dolby
Certification: UK:15 / Iceland:12 / USA:PG-13
Filming Locations: Devon, Somerset, England, UK

Technical specifications for
A Summer Story
 
Film negative format 35 mm

Printed film format 35 mm


Company credits for
A Summer Story

Production Companies

  • Incorporated Television Company (ITC)

Distributors

  • Atlantic Releasing Corp
  • Warner Bros - (1988) (UK) (theatrical)
  • Warner Home Video (U.K.) Limited - (1989) (UK) (VHS)

Other Companies

  • ARRI Lighting Rental Limited - light equipment

Comments for
A Summer Story

I watch this gem about twice a year, when I feel like having a good cry. This film truly transports me to another time and place.

There are timeless morality issues dealt with in the story, and the unforgettable ending gives a person goose bumps. Seeing the film inspired me to read the story it's adapted from (The Apple Tree.) There are some differences between the story and the film, of course, and the endings are somewhat different, although the overall idea is on the same wavelength. I feel the ending of the film is very, very strong and extremely suited to the film genre as compared to the written page.

The music is exquisite. Not only does it cast a beautiful spell from the very first note, but it remains in your mind long after the film is over.

A precious, precious film.
I remember watching this film way back when I was in high school as a TV special (since it was never released in movie theatres in my country).

My sister and I, as young as we were then and perhaps still idealistic and what have you, were moved to tears watching this great film. I can still remember my sister and I trying to find out the name of the actress when the credit was being shown because we were so touched by the truthfulness of her performance.

For one strange reason or another Imogen Stubbs' name really got stuck in my mind from then on, although I have never ever seen any other movie of hers after that. This movie made an impression on my young mind and has stayed with me ever since. For a couple of years now, I have been desperately trying to find a VCD or DVD copy of this movie so that I could watch it again and experience the same emotions I had back then when I was watching it with innocent eyes. But alas, I still have not found any copy.

I really would love to watch this movie again... something to help me revisit the child in me.
Talk about getting thrown for a loop! I watched this movie with no expectations and became mesmerized by its tale! It is so true and powerful that it stays with you forever. Love, after all, is all about decisions and compromises. Everyone chooses to give up something (someone) when they choose to love someone (something) for life.

The emotional power of what might have been is breath-taking and impacts every one of us no matter how happy we are or how good life turned out.

We know it would have been vastly different had we chosen a different path. Anyway, I am buying this one on DVD. (on eBay right now).
If you are thinking of watching this movie, make sure you have a box of tissues ready - because unless you are emotionally constipated this film will make you cry. I watched it on my return from the hospital after giving birth to my daughter and I wept buckets. It is beautifully acted, particularly by Imogen Stubbs. I can't understand why we do not see more of this talented actress. The music by George Delerue matches and enhances the heart rending story, and sounds pretty darn good without the film, too. The story is about an upper class young man (James Wilby) who, whilst on a walking holiday, falls in love with a beautiful young farm girl. I really don't want to give any more of the plot away. I loved it. If you never enjoy romance, or poignant tales of lost chances and heartbreak, then you probably won't love it!
This is another excellent love movie that most people miss out on. I remember watching this way back when it was shown on the local public television channel and was so mesmerized by the whole movie. When I first saw it, I was much younger. I enjoyed it so much I wanted to watch it again however it was hard to find a copy and it wasn't played anymore on TV. Many years later I was able to find it at a local movie rental store. Thinking that it probably won't hit the spot like it did the first time, I was wrong. I enjoyed it just as much like the first time. It's hard to find a good love movie involving a romance so full of many emotions. I go back and rent this video every now and then to watch. This movie and "The Notebook" touched my heart in almost the same way. If you enjoyed watching "The Notebook" or haven't seen both and simply enjoy watching heart touching romantic movies then you must watch both! Innocent love lost and betrayed, it's so sad.
I was a young man by myself in the big city when this movie was released. One lonely Wednesday evening, I went to the multiplex to see the latest Chuck Norris flick. Something was wrong with the projector, and the film broke repeatedly. Finally, the theatre manager entered and offered everyone a free ticket for any future showing -- and if you wanted to stay and watch any other movie presently playing there, just help yourself.

I looked down the hallway and saw a couple of Disney films and a cartoon, and something called A Summer Story. I'd never heard of it, but it was about to begin so I hurried inside, what the hey. The music was pretty, and the scenery too, and then the plot kicked into gear. Megan David appeared on the scene, and I was completely overwhelmed by her beauty, absolutely thunder-struck. Other reviewers have revealed plot details, so I will not -- but when the film's climax arrived, I started sobbing and blowing my nose and I just couldn't stop. It was pitiful, nothing like that had ever happened to me, and I would have been terribly embarrassed had everyone else in the theatre not been doing exactly the same thing. I finally got a grip again, later, outside in the parking lot, after it was all over.

Years and years passed, and I acquired a wife and step kids, a girl (11) and a boy (9). One night, I rented A Summer Story for them, and told them absolutely nothing about it. When the film's climax arrived, they all bawled their eyes out, just plain puddled up and squalled -- which is exactly what the director intended for audiences to do, we're talking Kleenex City. If judged upon the success of its intended purpose, A Summer Story is a remarkably effective piece of film-making.

You definitely need to see it once. Then, show it to a loved one, don't tell him/her what to expect, and sit back and enjoy.
 

I found this video on sale at my local video store several years ago and purchased it on a whim. I didn't know anything about it but was familiar enough with the stars Imogen Stubbs and James Wilby - being a huge fan of British dramas myself. All I can say is that this was one of the best impulsive purchases I have ever made, having found a gem of a movie that I absolutely love.

The movie starts out with a young barrister Mr. Ashton (James Wilby) and his best friend romping around the English countryside. Due to a leg injury, Ashton is forced to seek the help of nearby cottagers and they are taken in for a few days. The family is poor and very country-bumpkin-ish but pretty and innocent Megan David (Imogen Stubbs) catches the eye of Mr. Ashton and a flirtation of sorts takes place. Ashton decides to stay longer and he and Megan fall in love, much to the chagrin of Megan's aunt and her family. Mr. Ashton is then packed off but not until he promises to come back and take Megan with him.

What happens next is a chain of events that will leave you in wild anticipation over the fate of Mr. Ashton and Megan. While I will not reveal vital plot details, I have to say that - like the other reviewers - this film had a profound emotional impact on me and left me in tears. I cannot watch this film now without shedding a tear and I am so glad that I bought this film when I did so that I (and my family and friends) could watch it over and over again. This is one of those powerful films that show you what it is to love and lose, and shows the consequences of choices that one makes and how a person's choices affect the lives of others.

I highly recommend this film to everyone. It is one of those unforgettable films that will make a powerful emotional impact on anyone who sees it. A must see!

The first time I saw this movie was in 1989, and could not find a copy until very recently. This movie provides you an opportunity to experience joy, innocence, beauty and heart wrenching loss all within a couple of hours.

I must agree with all the other reviews in terms of the movie's impact, and will add that this movie is very hard to locate, so if you have a chance, get it and you will not be disappointed. While it seems slow for a time, the final 15-20 minutes will leave your emotions in tatters...being one of the most effective movie endings I have ever seen. A must see.

 

I echo everything everyone has said. A wonderful movie. Successful in all it aspired to: Story, Cinematography, Acting, Soundtrack, Direction, Editing all work sublimely. One of the 25 DVD's I would buy (but as of this writing not on DVD - or VHS anymore for that matter).

I wanted to mention my experience with 2 VHS versions of this movie. The first time I saw it, I rented it, and it made a huge impression. I always wanted to own a copy but could never find one. Then, years later, to my shock while browsing a mall video store there it was - for $9.99 no less! A miracle. Unfortunately, when I took it home and viewed it, it was an edited version that had parts cut out that were important to the film (not just the R-rated stuff). The tape was EP (low quality) as well. The film was much less effective, in fact I discarded the copy I hated seeing it altered so much!

Going from memory: the edited version I got was by ITC and had a close-up of Imogen Stubbs on the cover. The good version I remember renting had James Wilby and Imogen Stubbs on the cover embracing.

There may be more versions and variations then those 2. My suggestion (especially if you have to pay $$$) is to find a used rental copy release.

I remember when I saw this movie in the theatre for the first time in 1988. The other reviews are absolutely correct. The film is simply incredible in every way. The cast was superb! And like the other reviewer, I was totally blown away by Megan (Imogen Stubbs) and fell in love at first sight with her. (Funny how many women I have dated that sort of look like her now that I think about it) Anyway... this is a movie not to miss. With a moral point, deep rich history, and incredible capture of turn of the century society, it is a movie that will make you think and in some cases, even haunt your heart for decades later. (Like me) Here is the other side of the story about this movie: As good as it is, for some reason it was only in the movie theatre for a very short period of time and then disappeared for several years from existence. I never knew why. Then in the 1990's, it reappeared in VHS format. But now it is extremely difficult to find or even buy. I have no idea why the American public did not give this movie the recognition it deserves like they did in Europe or why it had such a brief life in the American theatres. But whether you're a "tough guy" like me or a sentimental soul, YOU WILL be brought to tears in this movie. It is THAT good. "Kleenex city" as one reviewer put it... I only hope that some day they will make this movie in DVD format.
Relatively few people know about this film but it is one of the most poignant and moving tragic love stories ever put on the big screen. I have seen many movies in my time and when this one ended I noticed it was the first time I ever had tears streaming down my face because of a film. I didn't feel at all foolish. I defy anyone to hold back their emotions when he's driving away at the end and he sees the young man and realizes that it's his son. It's impossible to put in words how emotionally powerful this film is.
I rented this film in 1990 and was overcome by the acting,
the story line, and the plot twists. As a lover of tear-jerkers,
I cried more than in most sad films.

Although the story line is so engrossing, I can't spoil the film for you. If you knew the twists towards the end, it would ruin the experience for you. The suspense is half the fun.

This film has excellent acting by both of the two leads. Imogen Stubbs plays an innocent farm girl who falls for an English gentleman one summer in the South of England.

Beyond that I can't tell you what happens. I was immediately captivated by Ms. Stubbs from the start of the film. She is
like that, if you're male.

It also teaches a lesson and is somewhat of a morality play. The story line entrances one as an Alfred Hitchcock suspense.
One cannot help but identify with the heroine, superbly acted by Ms. Stubbs. I was deeply moved with the love story, but the
most amazing thing is the ending, which will do more to shake one up than any Alfred Hitchcock.

I believe the story was taken from a story by Galworthy. Never has captivating innocence been so well portrayed by an actor or actress.

--Enjoy!
I rented this movie when I was in high school. After watching it, I racked up about $40 in late fees at the local video store because I pretended to lose it so I could keep it. I am glad I did because it's so hard to find now!!

I watched it regularly through college, and into my 20's. I even watched it with hubby, and he was smitten and heartbroken right along with me.

So who do we contact about getting this on DVD??
This movie is amazing and I cannot believe it isn't on DVD. my husband introduced me to it and I was so touched not only by the movie but his reaction to it. he cried like a baby when he watched it with me. I asked him how many times he had seen it and he said at least 20 times. for a movie to invoke this reaction after 20 times tells you how amazing it is. when you watch it, watch it with an open mind and take yourself to that era of time and let yourself delve into the emotions and if you have any heart you to will become intertwined into the magic.
I agree enthusiastically with all the reviews here. First of all, why it isn't on DVD is beyond me as well. This movie as a drama has it all! It moved me so much the first time I saw it that I went back to the theatre four times that week. When the soundtrack came out I bought it and would give that five stars as well. Why I think this tugs at the heart strings of all who see it is that it works on numerous emotional levels. It has: 1. A moving story, (adapted from John Galsworthy's story "The Apple Tree"); 2. Is gorgeously filmed on location on the moors of southwest England; 3. Has a beautiful soundtrack by Georges Delerue that perfectly compliments the dramatic scenes as well as the landscape; 4. The acting is superb with excellent performances by Imogen Stubbs (whose eyes will haunt you long after the movie), James Wilby and Susanna York. This movie will move you to tears and won't let your heart go. It still hasn't let mine go and it has been over fifteen years.
What a great story. Excellent acting. I watch my old VHS copy about once a year. So very sad, so realistic, so human. I stumbled on this one day while watching a partially recorded copy of the movie. The tape ended about 20 minutes before the end of the movie. I could not believe it. I closed my shop and immediately went to the video store and rented it to see how it ended. Probably not to extreme except for the fact that I'm an "action"," sci-fi", "fantasy" kind of movie lover.............I can't recommend it highly enough, and easy 10+.

I don't think you will be disappointed.

 


A Summer Story (1988), based on the book "The Apple Tree" by John Galsworthy

THE APPLE TREE

"The Apple-tree, the singing and the gold."

MURRAY'S "HIPPOLYTUS of EURIPIDES."

In their silver-wedding day Ashurst and his wife were motoring along the outskirts of the moor, intending to crown the festival by stopping the night at Torquay, where they had first met. This was the idea of Stella Ashurst, whose character contained a streak of sentiment. If she had long lost the blue-eyed, flower-like charm, the cool slim purity of face and form, the apple-blossom colouring, which had so swiftly and so oddly affected Ashurst twenty-six years ago, she was still at forty-three a comely and faithful companion, whose cheeks were faintly mottled, and whose grey-blue eyes had acquired a certain fullness.

It was she who had stopped the car where the common rose steeply to the left, and a narrow strip of larch and beech, with here and there a pine, stretched out towards the valley between the road and the first long high hill of the full moor. She was looking for a place where they might lunch, for Ashurst never looked for anything; and this, between the golden furze and the feathery green larches smelling of lemons in the last sun of April—this, with a view into the deep valley and up to the long moor heights, seemed fitting to the decisive nature of one who sketched in water-colours, and loved romantic spots. Grasping her paint box, she got out.

"Won't this do, Frank?"

Ashurst, rather like a bearded Schiller, grey in the wings, tall, long-legged, with large remote grey eyes which sometimes filled with meaning and became almost beautiful, with nose a little to one side, and bearded lips just open—Ashurst, forty-eight, and silent, grasped the luncheon basket, and got out too.

"Oh! Look, Frank! A grave!"

By the side of the road, where the track from the top of the common crossed it at right angles and ran through a gate past the narrow wood, was a thin mound of turf, six feet by one, with a moorstone to the west, and on it someone had thrown a blackthorn spray and a handful of bluebells. Ashurst looked, and the poet in him moved. At cross-roads—a suicide's grave! Poor mortals with their superstitions! Whoever lay there, though, had the best of it, no clammy sepulchre among other hideous graves carved with futilities—just a rough stone, the wide sky, and wayside blessings! And, without comment, for he had learned not to be a philosopher in the bosom of his family, he strode away up on to the common, dropped the luncheon basket under a wall, spread a rug for his wife to sit on—she would turn up from her sketching when she was hungry—and took from his pocket Murray's translation of the "Hippolytus." He had soon finished reading of "The Cyprian" and her revenge, and looked at the sky instead. And watching the white clouds so bright against the intense blue, Ashurst, on his silver-wedding day, longed for—he knew not what. Maladjusted to life—man's organism! One's mode of life might be high and scrupulous, but there was always an undercurrent of greediness, a hankering, and sense of waste. Did women have it too? Who could tell? And yet, men who gave vent to their appetites for novelty, their riotous longings for new adventures, new risks, new pleasures, these suffered, no doubt, from the reverse side of starvation, from surfeit. No getting out of it—a maladjusted animal, civilised man! There could be no garden of his choosing, of "the Apple-tree, the singing, and the gold," in the words of that lovely Greek chorus, no achievable elysium in life, or lasting haven of happiness for any man with a sense of beauty—nothing which could compare with the captured loveliness in a work of art, set down for ever, so that to look on it or read was always to have the same precious sense of exaltation and restful inebriety. Life no doubt had moments with that quality of beauty, of unbidden flying rapture, but the trouble was, they lasted no longer than the span of a cloud's flight over the sun; impossible to keep them with you, as Art caught beauty and held it fast. They were fleeting as one of the glimmering or golden visions one had of the soul in nature, glimpses of its remote and brooding spirit. Here, with the sun hot on his face, a cuckoo calling from a thorn tree, and in the air the honey savour of gorse—here among the little fronds of the young fern, the starry blackthorn, while the bright clouds drifted by high above the hills and dreamy valleys here and now was such a glimpse. But in a moment it would pass—as the face of Pan, which looks round the corner of a rock, vanishes at your stare. And suddenly he sat up. Surely there was something familiar about this view, this bit of common, that ribbon of road, the old wall behind him. While they were driving he had not been taking notice—never did; thinking of far things or of nothing—but now he saw! Twenty-six years ago, just at